In the discussion of architecture, there is a prevailing sentiment that, since 1968, cultural production in its traditional sense can no longer be understood to rise spontaneously, as a matter of social course, but must now be constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--post-structuralist, Marxia...(展开全部)

In the discussion of architecture, there is a prevailing sentiment that, since 1968, cultural production in its traditional sense can no longer be understood to rise spontaneously, as a matter of social course, but must now be constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--post-structuralist, Marxia...(展开全部)

There has been a significant boom in recent Argentine cinema, with an explosion in the number of films made in the country since the mid-1990s. Many of these productions have been highly acclaimed by critics in Argentina and internationally. What makes this boom all the more extraordinary is that it has coincided with a period of severe economic crisis and civil unrest in the n...(展开全部)

The auteur theory, of which film criticAndrew Sarris was the leading American proponent, holds that artistry in cinema can be largely attributed to film directors, who, while often working against the strictures of studios, producers, and scriptwriters, manage to infuse each film in their oeuvre with their personal style. Sarris's The American Cinema , the bible of auteur stud...(展开全部)

With clarity, precision and economy, Paul Patton synthesizes the full range of Deleuze's work. He interweaves with great dexterity motifs that extend from his early works, such as Nietzsche and Philosophy, to the more recent What is Philosophy? and his key works such as Anti-Oedipus and Difference and Repetition. Throughout, Deleuze and the Political demonstrates Deleuze's rele...(展开全部)

A provocative, intimate look at the evolution of America’s political soul through the lives of six political figures—from Whittaker Chambers to Christopher Hitchens—who abandoned the left and joined the right. In Exit Right, Daniel Oppenheimer tells the stories of six major political figures whose journeys away from the left reshaped the contours of American politics in the twe...(展开全部)

The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film...(展开全部)

[英]马丁•米德尔布鲁克（Martin Middlebrook） 1932年出生于英国波士顿，是英国有名的军事历史学家。一战后，写下其代表作《索姆河的第一天》。作者一共撰写了两本关于马岛战争的书，从阿根廷视角出发描述的《马岛战争》就是其中之一，另一本是代表英方观点的《全体行动》。 俞敏 酷爱文史，擅长翻译，对国外军事装备发展概况有一定了解，热衷于东西方文化比较研究。

[英]马丁•米德尔布鲁克（Martin Middlebrook） 1932年出生于英国波士顿，是英国有名的军事历史学家。一战后，写下其代表作《索姆河的第一天》。作者一共撰写了两本关于马岛战争的书，从阿根廷视角出发描述的《马岛战争》就是其中之一，另一本是代表英方观点的《全体行动》。 俞敏 酷爱文史，擅长翻译，对国外军事装备发展概况有一定了解，热衷于东西方文化比较研究。